Really fair game streaming app for fans
The current streaming landscape is full of Marvel movie stars, sweep, blockbuster adaptations, and more content than you can shake a Batarang To. It might sound like the future of streaming services is Hollywood’s most powerful attempts to launch the widest possible network. But one of the latest services – and another “plus” to follow – shines knowing who exactly it’s for.
Launched at the end of August of this year, Warhammer + is a maker of tabletop miniatures Games workshop foray into the world of streaming. After a few years of testing the waters trying to pull the worlds from his beloved Warhammer 40,000 and Warhammer fantasy (now restarted as Warhammer: Age of Sigmar) beyond the books and models of its game world, this is the company’s biggest step in leveraging its characters as worthy of the same transmedia ascendant already used by pop culture icons like Star wars (and Trek), the Lord of the Rings, Marvel and others to make genre stories the future of major studio content. And yet, for its large steps and large swings, the nascent service seems distinctly small.
How much does Warhammer + cost?
Part of the reason is the lack of content in the first weeks of service availability. A one-year streamer subscription will set you back $ 60, a little less than “rivals” in space like Disney + or HBO Max, but Warhammer + also doesn’t have the freedom these platforms have for. squeeze content from the massive mega-corporations of partner studios and in-house branches. What that money has brought you in the last few weeks so far isn’t that much, in terms of raw original content.
What is playing on Warhammer +?
The Warhammer TV app – one of the three elements of Warhammer + as a subscription – hosts a plethora of videos which are also available for free on the Games Workshop YouTube channel. For example: painting tutorials or trailers for the latest editions of Age of Sigmar and 40K, as well as introductory videos to the company’s products. Actual content exclusive to the platform is currently smaller. There are two animated series going on: the 3DCG Angels of death, a limited color palette action series on the Blood Angels chapter of the Space Marines; and Hammer and bolt, a weekly anthology series supposed to tell stories through the canon of both War hammer The settings, but has so far focused on the distant future of 40Kthe “dark dark” setting of.
When it comes to original content, both series are interesting. Angels of death fully leans into its limited color palette, telling a dark and bloody story of Space Marine heroism and horror in equal measure, and arguably the most lavish offering in the service right now. Hammer and bolt meanwhile, takes advantage of its anthology status to to rise beyond the “safe” space typical War hammer media – which are essentially Space Marines over and over again – to tap into the generosity of factions and characters through the lore of the games. He also explores their perspectives further, from the more human side of the Imperium from man to the wacky, silly and utterly charming mad âladzâ of the Space Orks. But in terms of fictional programming, that’s all Warhammer + has right now, and there aren’t many. As of this writing, no other episode of Hammer and bolt have been added to the service since its launch, while Angels of death has had two more episodes since debuting, bring that to three as well. If you are a War hammer fan of history, you’ll easily be done with both offers in one afternoon. But that’s not the gist of the original Warhammer TV content, either.
What non-fictional content is on Warhammer +?
Other offerings are even more hyperspecific for fans of the company’s games, but for the most part don’t diminish their quality – so far, these are three more series exclusive to the app. Let’s talk about Age of Sigmar and 40k versions of Battle report first, a series of game-by-game comments where War hammer Television hosts play different armies against each other. There is also Masters of knowledge, a narrated series where each episode delves into a notable character, event or faction and provides insight into their stories. Finally, and perhaps the most interesting, is Citadel color painting masterclass, a series of techniques from Avy Metal artist Louise Sugden that goes beyond basic tutorials found elsewhere on the service to show off the best skills for painting that legion of gray plastic sitting in your recreation area.
These are all aimed, of course, at people who are not necessarily War hammer for fiction, but to play the game itself. Masters of knowledge provides enough context for some of the most important numbers you could bring to the table and looks like a slightly more skillfully presented riff on content already available online War hammer fans, but Battle report and Painting master class are strictly for the committed amateur already invested in the act of playing himself. Both, Painting master class is easily the most interesting, and the one that may have a little more intrigue for non-War hammer Fans. Even if your talents as a painter are far from those of Sugden (who regularly actions breathtaking projects on social media), his concise and clear commentary on his paint job is a joy to listen to, almost bordering on ASMR if not for the oddly casual generic daddy rock soundtrack that ends in background.
Unfortunately, Battle report isn’t quite so artfully presented: The edited pitched battles reviews, with sideways commentary from the players interspersed, are great for fans of tabletop games who are already looking to find strategies or considerations for their own. matches. But his dependence either on wide shots of the game board and players, or on aerial shots of the playing surface, deprives him of any cinematic presentation, which makes him a bit dry in the process (especially for programs. which, even edited, remain to last about an hour). As Master of knowledge, it looks like a riff on War hammer content that is readily available from creators outside the realm of Games Workshop, but unlike Master of knowledge, without the neat presentation. It’s also something the folks he’s talking to might be less willing to watch if they could just, well, go play the games themselves.
What else do you get for your Warhammer + subscription?
The Warhammer Vault is also included in the $ 60 per year price tag, a rotating collection of back issues of the company’s hobbyist monthly magazines like White Dwarf, as well as novels from the Black Library’s branch of fiction. related, with an emphasis on more recent publications (the available issues of White Dwarf, for example, only cover the last two years). The last pillar, and undoubtedly one of the most valuable for those already engaged, is access to the carte blanche to Warhammer 40,000 app, a tailor-made service. This was already available outside of Warhammer + – both free to download and also with a premium version at $ 6 per month that gives you digital access to the latest editions of the game rules, create army rosters to play , access digital faction and unit versions. specific rule sheets. Importantly, the app also allows you to unlock digital copies if you buy the physical books. With a similar application for Age of Sigmar about to enter beta testing which will no doubt be integrated as well, this is an obvious addition for War hammer gamers, although it’s also available separately if you don’t want the other aspects of Warhammer +.
What’s coming to Warhammer + in 2022 and beyond?
Games Workshop has announced plans for more animated series, but the current rollout of these or even the series currently available in the app is evolving and being revealed to the public week after week. But this is only one aspect of the service, the others being even more strictly intended for people already invested in this world.
Is Warhammer + worth the price?
The thing about Warhammer +, in general, is that Games Workshop already has its direct audience, and the company isn’t particularly interested in expanding its offerings as a way to bring new people into its games (games themselves do it theoretically). Even when so focused on die-hard and already engaged fans, Warhammer + is light enough of an offering right now that fans don’t feel like registration is required to keep up with the hobby. There is a good foundation that Games Workshop can build on, but it’s not quite essential, especially when, as 40K and Age of Sigmar players will be affected, the most essential aspects of the subscription will be available outside of the service.
In an age when streaming services are springing up with pure amount material – whether it’s original shows or simple access to the vast archives of some of the world’s biggest Hollywood companies – there’s something oddly refreshing about Games Workshop’s pursuit of simplicity. Spartan, as well as knowing that the people who care the most about its games are exactly who it will appeal to. It helps that the company also offers an exclusive template for registration. This really knows his audience.
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